When I rewatched the American TV drama "White Collar (WHITE COLLAR Tensai Sagishi wa Sosakan)" years later, in Season…
In Season 3, Episode 2, “Where There’s a Will,” when Neal Caffrey is deciphering the code left by the deceased to search for the ransom of the kidnapped little-girl hostage—i.e., the brothers’ inheritance (or the genuine will)—I had the memory that the museum director who was asked to produce Tycho Brahe’s 16th-century De nova stella (which in fact was a forgery) wasn’t very quick-witted and wasn’t very cooperative, but that had changed to a soft and clever response, and when Mozzie reduced the forged De nova stella to ashes, I also remember a line from that not-so-bright director along the lines of, See, that’s what I told you, pointing at them, but there’s no such scene anywhere. As expected, the somewhat aggressive, closed-off, high-stress—put another way, slow-witted and dim—unnecessary, hard-to-watch lines and banter scenes are reduced. This kind of thing is extremely common.
This case is part of the Mandela Effect case database based on "The Window of Opportunity: A Guidepost to the Mandela Effect — The Ultra-Secret X-Files" by Aoyama Takuto.