It has become that ASKA was arrested twice, in 2014 and 2016, and that a doctor at a hole-in-the-wall, fishy private clinic prescribed…
“Terror in Resonance” has a wonderful soundtrack (BGM music) and the like, and as a highly artistic and beautiful work it was recognized by the Agency for Cultural Affairs as an Excellent Work and a Recommended Work, and as for the other two works, as anime they are on a whole different level. As for the other two works, I will say this plainly: they creep me out, so I haven’t watched them at all. (The other two works are “BLOOD-C” and “Highschool of the Dead”.) People on the left might think, “At any rate netouyo (Japanese internet right-wingers), with their childish police-justifying emotions, must have criticized it by saying something like, ‘A work that glamorizes terrorists and has police officers cut down is outrageous! It’s an evil work that opposes public authority!’ right?” but in reality I remember that net right-wingers criticized the Chinese Communist Party over the fact that this work was banned in China. Note that in the present world line, it was on April 2, 2015 that this work and the other two, for a total of three works, were singled out and criticized by the Chinese government. ○ The sequence of changes in the times and detailed content of “Nikkyoso” (the Japan Teachers’ Union) and “yutori kyoiku” (the relaxed education policy). For example, “holding hands in the footrace at the sports day (everyone finishing in a line all together)” is an impression from the 90s to the 10s (Happy Science was also putting out publications and a monthly magazine that made it an issue), but in reality it was an event from the 70s, a story from a certain elementary school in Osaka. At that elementary school, it is said that extremely biased education was being conducted, such as pasting a printout over the flag and Kimigayo (Japan’s national anthem) sections of the music textbook, not raising the national flag nor singing the national anthem at entrance and graduation ceremonies.
This case is part of the Mandela Effect case database based on "The Window of Opportunity: A Guidepost to the Mandela Effect — The Ultra-Secret X-Files" by Aoyama Takuto.